98. M. Choufleuri restera chez lui le… (Jacques Offenbach)

Operette bouffe in 1 act

Composer: Jacques Offenbach and M. de Saint Rémy [pseudonym of the Duc de Morny].

Libretto: Ludovic Halévy, Hector Crémieux, et Ernest L’Epine

First performed: Salons du Corps législatif, Palais Bourbon, 31 May 1861, in the presence of Napoléon III. First public performance: Théâtre des Bouffes-Parisiens, 14 September 1861

M. Choufleuri (“Mr Cauliflower”), a social climber, has invited all of Parisian high society to his soirée to hear soprano Henriette Sontag, baritone Antonio Tamburini, and tenor Giovanni Battista Rubini.

Unfortunately, the singers are all ill.  He, his daughter, and her boyfriend are forced to impersonate the stars – and the wily young couple seize the opportunity to blackmail the old man into letting them marry.

“On this highly comic canvas,” Félix Clément wrote (Dictionnaire des opéras, 1869), “the composer gave himself up to some zestful musical eccentricities.”

The highlight is the Trio italien – ten of the funniest minutes in opera.

Speaking Italian is very simple, the young musician Babylas explains; just stick no ontoa masculine word and na onto afeminine.  Italien, italiano!

It has to be heard to believed.  The trio is a giddily brilliant lampoon of Italian opera, apparently the work of Verdi and Rossini, complete with vocalizes, runs, trills, and an allegro vivo accompanied by a bizarre choice of brass and wind instruments.  There’s even a father cursing his daughter.

YouTube bel canto enthusiast Kirill calls it “a parody of perfect proportions … the structure is wholly faithful to the bel canto idiom: scene –andante – tempo di mezza – stretta (with a few extended cadenzas thrown in just for the fun of it)”.

“Italia la bella mia bella patria bona pasta frolla campagna di Roma,” begins the soprano. “Je suis ô Paméla – Del Dogino figlia – Nativa Montamartro questa Batignollas – Depuis l’annexione – C’est moins loin que l’Odéone ».

Towards the end, the singers launch into “patati Bellini patati Rossini patati Halévy patata Auberi,Poniatowski, Davidini, Heroldini, Wagnerini”.

The rest of the opera finds Offenbach on similarly inspired form.  The bolero “Pedro possède une guitare” is brilliant – a lively, toe-tapping tune, full of bristling drums and guitars.  WARNING: Serious earworm.

There’s also a superb comic trio which consists largely of the phrase “C’est Babylas!”

Those two pieces, Clément wrote, were heartily applauded.

Offenbach mischievously quotes other composers; Ernestine summons Babylas with the invocation of the damned nuns from Meyerbeer’s Robert le Diable; he arrives “en galant paladin” like the hero of Boieldieu’s Dame blanche.


Jean-Philippe Lafont (M. Choufleuri), Mady Mesplé (Ernestine), and Charles Burles (Chrysodule Babylas), with the Orchestre Philharmonique de Monte Carlo and the Ensemble Choral Jean Laforge conducted by Manuel Rosenthal, 1982.  EMI CDS 7 49361-2


M.CHOUFLEURI (baritone – 1er comique) : M. Désiré

ERNESTINE, Choufleuri’s daughter (chanteuse or 1er dugazon) : Lise Tautin

CHRYSODULE BABYLAS, young composer (ténor comique – Couderc) : Pierre-Armand Potel

PETERMANN, Choufleuri’s servant (tenor – Trial) : Georges Dejon-Marchand

BALANDARD, guest (tenor – comique grime) : Debruille-Bache

Mme BALANDARD (the same, or Duègne Comique) : Léonce

Conductor : Jacques Offenbach

Setting : Paris, in the Marais, 24 January 1833. A bourgeois salon.



  1. Couplets : J’étais vraiment très ignorante (Ernestine)
  2. Boléro à 2 voix : Pedro possède une guitare (Babylas, Ernestine)
    2bis : Le même à une voix
  3. Couplets : En naissant chaque créature (Petermann)
  4. Trio : Babylas, Babylas, Babylas (Choufleuri, Ernestine, Babylas)
  5. Ensemble : Le plaisir nous invite
  6. Trio italien de la malediction : Italia la bella, mia bella patria, bona pasta frolla
  7. Final : Vraiment votre petite fête

3 thoughts on “98. M. Choufleuri restera chez lui le… (Jacques Offenbach)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.