Armide II: This time, it's personal.
In which Gluck sets a libretto for Lully, and challenges the 'master' of French opera on his own ground. With passion and magic in the Crusades.
Opera seria in 3 acts Composer: George Frideric Handel Libretto: Aaron Hill and Giacomo Rossi First performed: Queen’s Theatre, Haymarket, London, 2 February 1711; revised King’s Theatre, Haymarket, 6 April 1731 Rinaldo was Handel’s first opera written for England, and, indeed, the first Italian opera composed for London. It capitalized (so to speak) on the … Continue reading 119. Rinaldo (Handel)
Tragédie lyrique in a prologue and 5 acts Composer: André Campra Libretto: Antoine Danchet, after Tasso First performed: Théâtre du Palais-Royal, Paris, 7 November 1702, conducted by Marin Marais Welcome to the 18th century! Campra was the leading opera composer between Lully and Rameau. A Provençal, he began as a church musician, rising to become … Continue reading 117. Tancrède (Campra)
ARMIDE Tragédie lyrique in prologue and 5 actsComposer : Jean-Baptiste LullyLibretto : Philippe QuinaultFirst performed : Académie royale de musique, théâtre du Palais-Royal, Paris, 15 February 1686 Armide, Lully and Quinault’s final tragédie lyrique, is generally considered their masterpiece. The critics, for once, are right. If you listen to only one Lully, listen to this. We’ve been rather … Continue reading 115. Armide (Lully)