68. Re Lear (Antonio Cagnoni)

Tragedia lirica in 4 acts Composer: Antonio Cagnoni Libretto: Antonio Ghislanzoni, after Shakespeare Composed c. 1880-1885. First performed: Martina Franca, 19 July 2009, conducted by Massimiliano Caldi Dossier King Lear - where Edgar loves Cordelia, Edmund barely exists, the dramatist has little feeling for Shakespeare, and the composer lacks imagination? "Fie, fie, fie! pah, pah!" CHARACTERS … Continue reading 68. Re Lear (Antonio Cagnoni)

44. Der Widerspänstigen Zähmung / The Taming of the Shrew (Hermann Goetz)

DER WIDERSPÄNSTIGEN ZÄHMUNG (THE TAMING OF THE SHREW) Comic opera in 4 acts By Hermann Goetz Libretto: Joseph Viktor Widmann, after Shakespeare’s The Taming of the Shrew First performed: National Theatre, Mannheim, 11 October 1874, conducted by Ernest Frank. Dossier Goetz's opera was a hit in provincial Germany, translated into French, and performed in New York.  These … Continue reading 44. Der Widerspänstigen Zähmung / The Taming of the Shrew (Hermann Goetz)

24. Béatrice et Bénédict (Hector Berlioz)

Opéra-comique in 2 acts Music and libretto by Hector Berlioz, after Shakespeare’s Much Ado About Nothing First performed: Theater Baden-Baden, Germany, 9 August 1862 STORY BÉATRICE, Léonato’s niece (mezzo-soprano) HÉRO, Léonato’s daughter (soprano) URSULE, Héro’s maid in waiting (contralto) BÉNÉDICT, Sicilian officer, Claudio’s friend (tenor) CLAUDIO, Don Pedro’s aide de campe (baritone) DON PÉDRO, Sicilian … Continue reading 24. Béatrice et Bénédict (Hector Berlioz)