The devil has the best tunes in Gounod’s operatic masterpiece.
Tag: Jules Barbier
193. Le timbre d’argent (Saint-Saëns)
“It’s no longer an opera, it’s a nightmare.” – Saint-Saëns, 1880
17. Les contes d’Hoffmann (Jacques Offenbach)
Offenbach's astonishing last opera.

