23. Tromb-al-ca-zar – Jacques Offenbach)

TROMB-AL-CA-ZAR, OU LES CRIMINELS DRAMATIQUES

Bouffonnerie musicale in 1 act

By Jacques Offenbach

Libretto: Charles-Désiré Dupeuty & Ernest Bourget

First performed : Théâtre des Bouffes-Parisiens, 3 April 1856

Dossier


RECORDINGS

RTBF recording, conducted by Alfred Walter.  Starring Albert Voli (Beaujolais), Claudine Granger (Gigolette), Jacques Legrand (Ignace), and Yerry Mertz (Vert-Panné).

Libretto (in French).

 


 

Tromb-al-ca-zar.jpg

The prolific Offenbach wrote nearly 60 operas for the Bouffes-Parisiens, the small theatre he founded in 1855 to perform opéra bouffe and pantomime.  Many of the early pieces were limited by law to one-act works, with only four characters.  Some are brilliant, like the chinoiserie musicale Ba-ta-clan.  Others are too topical or suffer from slight plots.

Tromb-al-ca-zar is a case in point.  An innkeeper in the Basses-Pyrénées thinks that a theatrical troupe are really bandits and brigands.  That’s the plot.  The little opera is high-spirited; the music is witty music and the tunes catchy, as always with Offenbach, including a syllabic trio in honour of Bayonnais ham, with a flourish of (pig?) Latin…

… but a modern audience won’t get most of the jokes.

Quick!  Who were Buridan, Gastilbelza, Gaspardo, and Marco Spada?  Can you recognise a quote from Auber’s Sirène, Adam’s Chalet, and David’s “Hirondelles?  More – Anglophones: can you get jokes about the difference between rural dialect and theatrical fustian, malapropisms, and French puns about “pau”?

The opera parodies a sub-genre that’s no longer performed: French brigand operas and plays, with dashing heroes who murder their father, poison their mother, and strangle their brother-in-law.  They were performed throughout Europe, but today’s operagoer is only likely to encounter the Italian variety – Verdi’s Ernani (based on Hugo’s play that shocked the conservative Parisians and wowed the Romantic young Turks) and, more rarely, I masnadieri.

Offenbach would write a funnier opera about bandits 13 years later.  Les brigands contrasts honest criminals with corruption in the Second Empire  – but we don’t need to know the satirical target for this to be funny,.  Tromb-al-ca-zar is too specific a spoof.  That’s the problem with parody; it requires some knowledge of what is being parodied.

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